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Source Audio Nemesis Delay ADT

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ื”ื’ื™ืจืกื ื”ืžืขื•ื“ื›ื ืช ืฉืœ ื”-Nemesis, ืขื ืฉื“ืจื•ื’ ื—ืฉื•ื‘ ืฉืœ Analog Dry Through, ื–ื” ืื•ืžืจ ืฉื”ืกื™ื’ื ืืœ ื”ื™ื‘ืฉ ื ืฉืืจ ืื ืœื•ื’ื™ ืชืžื™ื“ ื•ืœื ืขื•ื‘ืจ ื”ืžืจื•ืช ืžืื ืœื•ื’ื™ ืœื“ื™ื’ื™ื˜ืœื™ ืฉื™ื›ื•ืœื•ืช ืœื’ืจื•ื ืœืฉื™ื ื•ื™ื™ื ื‘ืกืื•ื ื“ ื”ื™ื‘ืฉ.

ื”-Nemesis ื”ื•ื ืžื•ืœื˜ื™-ื“ื™ืœื™ื™ ืฉื”ื•ื ืชื•ืฆืื” ืฉืœ 3 ืฉื ื™ื ืฉืœ ืžื—ืงืจ ืื™ื ื˜ื ืกื™ื‘ื™ ื•ืคื™ืชื•ื—ื™ื. Source Audio ื—ืงืจื• ื›ืœ ื ื™ื•ืื ืก ื‘ื˜ื™ื™ืค ื“ื™ืœื™ืื™ื ื™ืฉื ื™ื (ื›ืžื• ื”-Echo Plex ื•ื”-Space Echoึฟ), ื‘ืคื“ืืœื™ื ืื ื•ืœื’ื™ื™ื ื™ืฉื ื™ื, ื‘ื™ื—ื™ื“ื•ืช ืจืืง ืฉืœ ื“ื™ืœื™ื™ ื“ื™ื’ื™ื˜ืœื™ ื•ืขื‘ื“ื• ืขืœ ืืœื•ื’ืจื™ืชืžื™ื ื—ื“ืฉื™ื ื•ืžืขื ื™ื™ื ื™ื ืขื ื“ื™ืœื™ื™ ืคื™ืฅืณ ืฉื™ืคื˜ ื•ืžื•ื“ื•ืœืฆื™ื•ืช ืฉื•ื ื•ืช ื›ื“ื™ ืœื”ื‘ื™ื ืœื›ื ื—ื‘ื™ืœื” ื“ื™ ืงื•ืžืคืงื˜ื™ืช ืขื ืžื’ื•ื•ืŸ ืฉืœ ืกืื•ื ื“ื™ื ื•ื›ืœ ื”ืคื™ืฆืณืจื™ื ื”ืžื•ื“ืจื ื™ื™ื ืฉืืคืฉืจ ืœืฆืคื•ืช ืžืคื“ืืœ ื›ื–ื”.

ื”ืžื•ืฆืจ ื—ืกืจ ื‘ืžืœืื™! ืจื•ืฆื” ืœืงื‘ืœ ืขื“ื›ื•ืŸ ื›ืฉื”ื•ื ื—ื•ื–ืจ?
  • 12 ืืœื’ื•ืจื™ืชืžื™ื ืฉืœ ื“ื™ืœื™ ืขื ืื•ืคืฆื™ื” ืœื”ืจื—ื‘ื” ืœ26 ื“ืจืš ื”ืืคืœื™ืงืฆื™ื”
  • 8 ืคืจื™ืกื˜ื™ื ืดOn Boardืด, 128 ื‘-MIDI
  • ื›ื ื™ืกื•ืช ื•ื™ืฆื™ืื•ืช ืกื˜ืจื™ืื• ืขื ื›ืžื” ืื•ืคืฆื™ื•ืช ื ื™ืชื•ื‘
  • MIDI In\Thru ืขื ืคื•ื ืงืฆื™ื•ื ืœื™ื•ืช ืžืœืื”
  • ื™ื›ื•ืœืช ื”ืชืžืžืฉืงื•ืช ืœืืคืœืงืฆื™ื” ื‘ืžื—ืฉื‘/ื˜ืœืคื•ืŸ ื‘ืฉื‘ื™ืœ ืขืจื™ื›ื” ืฉืœ ืคืจื™ืกื˜ื™ื/ืคืจืžื˜ืจื™ื
  • ืกื™ื’ื ืืœ ืคืืช' ื™ื‘ืฉ ื ืฉืืจ ืื ืœื•ื’ื™

ืžื™ื“ืข ื ื•ืกืฃ

Source Audio ืขื™ืฆื‘ื• ืืช ื”ืคื“ืืœ ื”ื–ื” ื‘ืฆื•ืจื” ื‘ืœืชื™ ืžืชืคืฉืจืช (ืœื ืฉื–ื” ื›ื–ื” ืžืคืชื™ืข ืื•ืชื ื•..) ื›ื›ื” ืฉื”ื•ื ื™ื”ื™ื” ื”ื›ื™ ื•ื•ืจืกื˜ื™ืœื™ ืฉื”ื•ื ื™ื›ื•ืœ ืœื”ื™ื•ืช. ืœืคื“ืืœ ื™ืฉ ื›ื ื™ืกื•ืช ื•ื™ืฆื™ืื•ืช ืกื˜ืจื™ืื•ืคื•ื ื™ื•ืช ืขื ืื•ืคืฆื™ื•ืช ื ื™ืชื•ื‘ ื ืจื—ื‘ื•ืช (ื›ื•ืœืœ ืœื”ืคื•ืš ืืช ื”ื›ื ื™ืกื” ื•ื”ื™ืฆื™ืื” ื”ื ื•ืกืคื™ื ืœ-FX Loop), ืื•ืคืฆื™ื” ืœื‘ื—ื•ืจ ื‘ื™ืŸ ื˜ืจื• ืœื‘ืืคืจื“ ื‘ื™ื™ืคืืก, 8 ืคืจื™ืกื˜ื™ื ืžื•ื‘ื ื™ื, MIDI In\Thru ืขื ืคื•ื ืงืฆื™ื•ื ืœื™ื•ืช ืžืœืื” ื•ื”ืจื—ื‘ื” ืœ128 ืคืจื™ืกื˜ื™ื, ืฉืœื™ื˜ื” ื‘ืืงืกืคืจืฉืŸ, ื˜ืืค ื˜ืžืคื• ืœื“ื™ืœื™ื™, ืคื•ื ืงืฆื™ื™ืช Hold ืœื—ื–ืจื•ืช ืื™ื ืกื•ืคื™ื•ืช ื•ืขื•ื“.ย 

ื”ืคื“ืืœ ืดืขืœ ื”ื ื™ื™ืจืด ืžืฆื™ืข 12 ืืœื’ื•ืจื™ืชืžื™ื ืฉื•ื ื™ื ืฉืœ ื“ื™ืœื™ื™, ื‘ืคื•ืขืœ Source Audio ืžืฆื™ืขื™ื 12 ื ื•ืกืคื™ื ื‘ืฉื‘ื™ืœ 24 ืžื ื•ืขื™ ื“ื™ืœื™ื™ ืกืš ื”ื›ืœ. ืืคืฉืจ ืœื’ืฉืช ืœืืœื’ื•ืจื™ืชืžื™ื ื”ื ื•ืกืคื™ื ื‘ืขื–ืจืช MIDI ืื• ื‘ื”ืชืžืžืฉืงื•ืชย ืขื ื”-Neuro App – ืืคืœืงืฆื™ื” ื—ื™ื ืžื™ืช ืœืžื—ืฉื‘ ืื• ืœื˜ืœืคื•ืŸ ื”ืžืืคืฉืจืช ืœืขืจื•ืš ื›ืœ ืคืจืžื˜ืจ ืงื˜ืŸ ืœืขื•ืžืง ื•ืœืฉืžื•ืจ ืืช ื”ืคืจื™ืกื˜ื™ื ื‘ืฆื•ืจื” ื™ื•ืชืจ ื ื•ื—ื”, ืžื”ื™ืจื” ื•ืื™ื ื˜ื•ืื˜ื™ื‘ื™ืช.

ื›ืœ ืื—ื“ ืžื”ืืœื’ื•ืจื™ืชืžื™ื ื‘ืคื“ืืœ ื™ื›ื•ืœ ืœื”ื™ื•ืช ื‘ืžืฆื‘ Single Delay ืื• ื‘ืžืฆื‘ Dual Delay. ื—ืœืง ืžื”ืืœื’ื•ืจื™ืชืžื™ื ืžืฆื™ืขื™ื ื’ื ืžืฆื‘ ืฉืœ ืขื“ 5 Taps ื‘ืฉื‘ื™ืœ ืฉืชื•ื›ืœื• ืœื™ืฆื•ืจ ื“ื™ืœื™ื™ ืขื ืชื‘ื ื™ื•ืช ืจืชืžื™ื•ืช ืฉื•ื ื•ืช ื•ืžืขื ื™ื™ื ื•ืช.ย 

12 ืกื•ื’ื™ ื“ื™ืœื™ื™

1. Digital: ื“ื™ืœื™ื™ ื“ื™ื’ื™ื˜ืœื™ ื—ื“ ื‘ืจื•ืจ ืขื ืื•ืคืฆื™ื” ืœืชื•ืกืคืช ืฉืœ ืžื•ื“ื•ืœืฆื™ื”. ื”-Intensity ืžืืคืฉืจ ืœื”ื•ืกื™ืฃ HPF ื‘ืฉื‘ื™ืœ ื“ื™ืœื™ื™ ื™ื•ืชืจ ืดืจื–ื”ืด ืื• LPF ื‘ืฉื‘ื™ืœ ื—ื–ืจื•ืช ื›ื”ื•ืช ื™ื•ืชืจ.ย 
2. Diffuse: ื“ื™ืœื™ื™ ืฉืžื•ืจื— ืืช ื”-Attack ืฉืœ ื”ื—ื–ืจื•ืช ื‘ืฆื•ืจื” ืฉืžื–ื›ื™ืจื” ืงืฆืช Oil Can ื“ื™ืœื™ื™. ื”ื—ื–ืจื•ืช ืฉืœ ื”ืืœื’ื•ืจื™ืชื ืดืžืชืจื›ื›ื•ืชืด ื•ืœื ืขื•ืœื•ืช ืขืœ ื”ืกื™ื’ื ืœ ื”ืžืงื•ืจื™ ืฉืœื›ื.ย 
3. Analog: ื“ื™ืžื•ื™ ืฉืœ ื“ื™ืœื™ื™ BBD ืขื ื—ื–ืจื•ืช Lo-Fi ื—ืžื•ืช ืฉื ื”ื™ื•ืช ืจื–ื•ื ื ื˜ื™ื•ืช ื™ื•ืชืจ ื›ื›ืœ ืฉื™ืฉ ื™ื•ืชืจ ื—ื–ืจื•ืช.ย 
4. Tape: ื“ื™ืžื•ื™ ืฉืœ Moving Head ื˜ื™ื™ืค ื“ื™ืœื™ื™ ืงืœืืกื™ ื›ืžื• ื‘-Echo Plex ื•ื”-Space Echoึฟ, ื—ื–ืจื•ืช ืขื ืฉื™ื ื•ื™ื™ ืคื™ืฅืณ ืงื˜ื ื™ื (Wow&Flutter) ื•ื”ืจื‘ื” ืฆื‘ืข/ืื•ืคื™.ย ย 
5. Noise Tape: ื“ื™ืžื•ื™ ืฉืœ Fixed Head ื˜ื™ื™ืค ื“ื™ืœื™ื™ ืฉื ื•ืชืŸ ื—ื–ืจื•ืช ื™ื•ืชืจ ืžืœื•ื›ืœื›ื•ืช ื•ื›ื”ื•ืช ืžื”ืืœื’ื•ืจื™ืชื ื˜ื™ื™ืค ื”ืจื’ื™ืœ – ืงืฆืช ื›ืžื• ื˜ื™ื™ืค ื“ื™ืœื™ื™ ื™ืฉืŸ.ย 
6. Degrade: ื“ื™ืœื™ื™ Lo-Fi ืขื ื‘ื™ื˜ ืงืจืืฉื™ื ื’ ื•-Sample Rate ืžื•ื ืžืš ืขืœ ื”ื—ื–ืจื•ืช. ื—ื–ืจื•ืช ืขื ื“ื™ืกื˜ื•ืจืฉืŸ ื“ื™ื’ื™ื˜ืœื™, ืื™ืœื™ื™ืกื™ื ื’ ื•ืจืขืฉื™ ืจืงืข.ย 
7. Shifter: ื“ื™ืœื™ื™ ืขื ืคื™ืฅืณ ืฉื™ืคื˜ ืคื•ืœื™ืคื•ื ื™ ืขืœ ื”ื—ื–ืจื•ืช. ืชื•ื›ืœื• ืœืงื‘ืœ ื—ื–ืจื•ืช ืฉืขื•ืœื•ืช/ื™ื•ืจื“ื•ืช ื‘ืื•ืงื˜ื‘ื”, ื˜ืจืฆื” ืงื˜ื ื”/ื’ื“ื•ืœื”, ืงื•ื•ืจื˜ื” ืื• ืงื•ื•ื™ื ื˜ื”.ย 
8. Helix: ืืœื’ื•ืจื™ืชื ื”ืžืฉืœื‘ ืจื™ื•ื•ืจืก ื“ื™ืœื™ื™ ืขื ืื•ืงื˜ื‘ื” ืœืžืขืœื” ื‘ืฉื‘ื™ืœ ืžืจืงื ืืžื‘ื™ื™ื ื˜ื™ ืžืœืื›ื™ ื•ื—ืœื•ืžื™ ืฉืœื ืฉืžืขืชื ื‘ืืฃ ื“ื™ืœื™ื™ ืื—ืจ.ย 
9. Reverse: ื“ื™ืžื•ื™ ืฉืœ ืจื•ื•ืจืก ื˜ื™ื™ืค ื›ืžื• ืฉื”ื™ื• ืขื•ืฉื™ื ื‘ื”ืงืœื˜ื•ืช ื‘ืฉื ื•ืช ื”-60. ื™ื›ื•ืœ ืœื™ืฆื•ืจ ื›ืžื” ื—ื–ืจื•ืช ืฉืขื•ืœื•ืช ืื—ืช ืขืœ ื”ืฉื ื™ื” ื‘ืฆื•ืจื” ื™ืฉืจื” ื•ืื– ื”ืคื•ื›ื”, ืงืฆืช ื›ืžื• ื˜ืจืžื•ืœื• ืžื•ื–ืจ.
10. Sweeper: ื“ื™ืœื™ื™ ืขื Low Pass ืจื–ื•ื ื ื˜ื™ ืฉืขื•ืฉื” ืกื•ื•ื™ืค ืขืœ ื˜ื•ื•ื— ื”ืชื“ืจื™ื ื•ื ื•ืชืŸ ืืคืงื˜ ืฉืœ ืกื™ื ืชืณ.
11. Rhythmic: ื“ื™ืœื™ื™ ืขื 5 ื˜ืืคื™ื ืฉืžืืคืฉืจ ืœื™ืฆื•ืจ ืชื‘ื ื™ื•ืช ืจืชืžื™ื•ืช ืžืขื ื™ื™ื ื•ืช ืฉืœ ื—ื–ืจื•ืช.ย 
12. Slapback: ื“ื™ืœื™ื™ ืกืœืืคื‘ืง ืฉืžื‘ื™ื ื—ื–ืจื” ืื—ืช ื–ืจื™ื–ื” ืขื ืื•ืคื™ ื“ื•ืžื” ืœื˜ื™ื™ืค ื“ื™ืœื™ืื™ื ื”ืจืืฉื•ื ื™ื.ย 

*ืœืจืฉื™ืžืช ื”ืืœื’ื•ืจื™ืชืžื™ื ื”ืžืœืื” (ื”ืžืฆื™ืขื” ื’ื ืืœื’ื•ืจื™ืชืžื™ื ื›ืžื• Oil Can, Resonant Analog, Warped Record) – ืฉื•ื•ื” ืœืขื™ื™ืŸ ื‘ืžื“ืจื™ืš ืžื”ืืชืจ ืฉืœ Source Audio.

ืฉืœื™ื˜ื”

– Engine Selector: ื”ื ื•ื‘ ื”ืžืจื›ื–ื™ ื”ืžืืคืฉืจ ืœื‘ื—ื•ืจ ื‘ื™ืŸ ื”ืืœื’ื•ืจื™ืชืžื™ื ืฉืœ ื”ื“ื™ืœื™ื™ ื‘ืคื“ืืœ.ย 
– Mix: ืงื•ื‘ืข ืืช ื”ืื™ื–ื•ืŸ ื‘ื™ืŸ ืกื™ื’ื ืœ ื™ื‘ืฉ ื•ืจื˜ื•ื‘. ื‘ืœื—ื™ืฆื” ืืจื•ื›ื” ืขืœ ื”ื›ืคืชื•ืจ ืœื™ื“ ื”-Control Panel ืชื•ื›ืœื• ืœืงื‘ื•ืข ื‘ืขื–ืจืช ื”ื ื•ื‘ ืืช ื”ืื•ื˜ืคื•ื˜ ื”ื›ืœืœื™ ืฉืœ ื”ืคื“ืืœ ืžืžื™ื ื•ืก ืื™ื ืกื•ืฃ ืขื“ ืœื‘ื•ืกื˜ ืฉืœ 6db.ย 
– Time: ืงื•ื‘ืข ืืช ื”ื–ืžืŸ ืฉืœ ื—ื–ืจื•ืช ื”ื“ื™ืœื™ื™. ื‘ืžืฆื‘ื™ ืžื•ืœื˜ื™ ื˜ืืค – ื”ื•ื ืงื•ื‘ืข ืืช ื”ื—ื–ืจื•ืช ื”ืจืืฉื•ื ื” ื•ื”ืฉืืจ ืžืกืชื“ืจื•ืช ืื•ื˜ื•ืžื˜ื™ืช ืœืคื™ ื–ื”. ื–ืžืŸ ื”ื“ื™ืœื™ื™ ืžืฉืชื ื” ื‘ื™ืŸ ืืœื’ื•ืจื™ืชื ืœืืœื’ื•ืจื™ืชื. ื›ืชื–ื™ื–ื• ืืช ื”ื ื•ื‘ ืชื•ืดื› ืฉื™ืฉ ื—ื–ืจื•ืช – ื”ืŸ ื™ืฉื ื• ืคื™ืฅืณ ื›ืžื• ื˜ื™ื™ืค ื“ื™ืœื™ื™ ืื• ื“ื™ืœื™ื™ ืื ืœื•ื’ื™.ย 
– Feedback: ืงื•ื‘ืข ืืช ื›ืžื•ืช ื”ื—ื–ืจื•ืช ืฉืชืงื‘ืœื•. ื”ื˜ื•ื•ื— ืฉืœื• ื”ื•ื ืž-0 ืขื“ ื›ืžืขื˜ ืื™ื ื•ืกื•ืคื™ ื‘ืฉื‘ื™ืœ ืื•ืกืœืฆื™ื” ืžืฉื•ื’ืขืช. ืื ืืชื ืœื ืจื•ืฆื™ื ืœื”ื’ื™ืข ืœืื•ืกืœืฆื™ื” ื—ื–ืงื” ืžื“ื™ – ื ื™ืชืŸ ืœื”ื’ื‘ื™ืœ ืคื™ื“ื‘ืง ืžืงืกื™ืžืœื™ ื‘ืขื–ืจืช ื”ืืคืœืงืฆื™ื”.
– Mod: ืงื•ื‘ืข ืืช ืขื•ืžืง ื”ืžื•ื“ื•ืœืฆื™ื” ืขืœ ื”ื—ื–ืจื•ืช – ื‘ื›ืœ ืืœื’ื•ืจื™ืชื ื™ืฉ ืžื•ื“ื•ืœืฆื™ื” ืžืขื˜ ืฉื•ื ื”.
– Rate: ืงื•ื‘ืข ืืช ืžื”ื™ืจื•ืช ื”ืžื•ื“ื•ืœืฆื™ื” ืขืœ ื”ื—ื–ืจื•ืช ืž-0.1hz ืขื“ 10hz.ย 
– Intensity: ื ื•ื‘ ืฉืžืฉื ื” ืืช ืื•ืคื™ ื”ื—ื–ืจื•ืช ื•ืžืฉืคื™ืข ืขืœ ื›ืžื” ืคืจืžื˜ืจื™ื ืฉื•ื ื™ื ื‘ืžืงื‘ื™ืœ. ื”ืชืคืงื•ื“ ืฉืœื• ืฉื•ื ื” ื‘ื›ืœ ืืœื’ื•ืจื™ืชื (ืื ืชืจืฆื• ืœื‘ื“ื•ืง ืœืขื•ืžืง – ืขื™ื™ื ื• ื‘ืžื“ืจื™ืš).ย 
– Tap Div Switch: ืžืืคืฉืจ ืœืงื‘ื•ืข ืืช ื”ืชืช ื—ืœื•ืงื” ืฉืœ ื”ื˜ืืค ื˜ืžืคื• ืœื“ื™ืœื™ื™ ื‘ื™ืŸ ืจื‘ืขื™ื, ืฉืžื™ื ื™ื•ืช ืžื ื•ืงื“ื•ืช ืื• ื˜ืจื™ื•ืœื•ืช.ย 
– Preset Select\Save: ื›ืคืชื•ืจ ืงื˜ืŸ ื”ืžืืคืฉืจ ื‘ืœื—ื™ืฆื” ืงืฆืจื” ืœื’ืœื•ืœ ื‘ื™ืŸ ืคืจื™ืกื˜ื™ื ื•ื‘ืœื—ื™ืฆื” ืืจื•ื›ื” ืœืฉืžื•ืจ ืคืจื™ืกื˜.

*ื”ืคื“ืืœ ื”ื–ื” ืขืžื•ืก ื‘ืขื•ื“ ื”ืžื•ืŸ ืคื™ืฆืณืจื™ื ื•ืื•ืคืฆื™ื•ืช (MIDI, ืืงืกืคืจืฉืŸ, ืขืจื™ื›ื” ื‘ืืคืœื™ืงืฆื™ื”). ืื ืชืจืฆื• ืœื”ื‘ื™ืŸ ืืช ื›ืœ ื”ื™ื›ื•ืœื•ืช ืดืขืœ ืžืœืืด – ืื ื—ื ื• ืžืžืœื™ืฆื™ื ืœืขื™ื™ืŸ ื‘ืžื“ืจื™ืš ืžื”ืืชืจ ืฉืœ Source Audio.

ืคืจื˜ื™ื ื˜ื›ื ื™ื

  • ื›ื ื™ืกื•ืช ื™ืฆื™ืื•ืช ืกื˜ืจื™ืื•ืคื•ื ื™ื•ืช ืขื ืื•ืคืฆื™ื•ืช ื ื™ืชื•ื‘ ืจื—ื‘ื•ืช.
  • MIDI In\Thru ืขื ืคื•ื ืงืฆื™ื•ื ืœื™ื•ืช ืžืœืื” ื•ืจื—ื‘ื” ื‘ืžื™ื•ื—ื“.ย 
  • ืื•ืคืฆื™ื” ืœืฉืœื™ื˜ื” ื‘ืืงืกืคืจืฉืŸ ืื• ืœืชื•ืกืคืช ืฉืœ Tap Tempo ื—ื™ืฆื•ื ื™.
  • ื™ื›ื•ืœืช ื”ืชืžืžืฉืงื•ืช ืขื ืืคืœื™ืงืฆื™ื™ืช ืขืจื™ื›ื” ื‘ืขื–ืจืช ืžืชืื 1/8โ€ ืœ- 1/4โ€ ื™ื™ื—ื•ื“ื™ (ืžืชืื ื›ืœื•ืœ).
  • ื›ื ื™ืกืช USB ื‘ืฉื‘ื™ืœ MIDI, ืขืจื™ื›ื” ื‘ืชื•ื›ื ืช ืžื—ืฉื‘/ื˜ืœืคื•ืŸ ื•ืขื“ื›ื•ื ื™ ืงื•ืฉื—ื”.
  • ืื•ืคืฆื™ื” ืœื‘ื—ื•ืจ ื‘ื™ืŸ True ื‘ื™ื™ืคืืก ืœ-Buffered ื‘ื™ื™ืคืืก.
  • ืžืชื— ืขื‘ื•ื“ื”: 9VDC (ืกืคืง ื›ื•ื— 300mA ื›ืœื•ืœ).
  • ืฆืจื™ื›ืช ื–ืจื: 200mA.

 

ื‘ื—ื–ืจื” ืœืžืขืœื”